ServiceWebdesign

BackroundThe website translates an artistic approach rooted in color, space, and perception into a digital experience. Designed as a restrained frame, it allows the work to unfold at the center, guided by deliberate color and a subtle play of composition. The animated logo introduces a gentle shift in viewpoint, echoing the perceptual movement within his sculptures.

ServiceVisual Design
Banner
Poster

BackgroundWe were invited by the Pinakothek der Moderne to develop the visual identity for the exhibition “Sweeter than Honey – A Panorama of Written Art.” Our task was to create a distinctive key visual that translates the exhibition’s conceptual depth into a contemporary visual language while respecting the museum’s overarching corporate design.

Building on the exhibition’s plurality of voices, the key visual develops a dynamic, intercultural system of signs. Letters, words, and text fragments from Latin, Arabic, Farsi, Chinese, and Japanese writing systems condense into a multilayered, three-dimensional object.

The structure appears in a golden yellow tone—a reference to honey as a central motif of the exhibition. The color adds a sensorial quality and connects the conceptual layer of knowledge, sweetness, and transformation with a distinct visual presence.

ServicesConsulting
Creative Direction
Campaign Strategy & Design
Wayfinding & Signage Systems
Printed Media
Barrier-free

BackgroundWe continuously support the Hamburger Bahnhof – Nationalgalerie der Gegenwart in the development and implementation of its communication strategy. A key element of this work is visual communication within the museum, encompassing wayfinding systems, signage, wall texts, digitale media stations, object labels, as well as related publications, posters, flyers, and merchandise.

Our designs are conceived as an integral part of the curatorial narrative. They structure the space, provide orientation, and enhance the communication of content, always responding sensitively to the architecture, exhibition concept, and audience. The result is a series of visual systems that evolve with each exhibition, animating the Hamburger Bahnhof as a dynamic site for contemporary art.

ServicesConsultancy
Strategy
Visual Identity
Print Media
Poster Campaign
Banner
Exhibition Catalogue
Motion Design

BackgroundWhispers on the Horizon sets the tone for a visual identity shaped by attentiveness rather than assertion. Our design grows from the exhibition’s landscape of yearning, historical sediment and architectural presence — a context that resists simple translation. We developed a system that works through clarity and restraint, allowing the nuances of the newly commissioned and site-specific works to surface without being overshadowed. The identity remains flexible enough to follow the exhibition’s many voices while offering a calm structural frame. In this balance of openness and precision, the design echoes the curatorial approach and lets the Biennial’s atmosphere unfold on its own terms.

ServicesVisual Concept

Editing
Organisation
Editorial Design


BackgroundBerliner Festspiele is one of the largest cultural institutions in
Berlin. All year round, they host a multitude of festivals, exhibitions and individual events in two houses – the Haus der Berliner Festspiele and the Gropius Bau.
Our main focus when developing and refining their identity was to give individual freedom to each single festival / event while still maintaining the umbrella brand’s overall visual language.

Service
Publication

Background
The New Infinity examined the planetariums and full dome as places for art – as galleries of the future –inviting artists like David OReilly, Fatima Al Qadiri, Metahaven, Robert Lippok & Lucas Gutierrez and many more to experiment with the unusual shape. The planetary format started out in Kreuzberg Berlin, moved on to Hamburg and afterwards toured the world.
As part of our publication series for Immersion/Berliner Festspiele we designed the exhibition catalogue for the project.

Service
Visual Identity
Poster Series
Print Media

Background
Times Art Center is a non-profit art institution located in the center of Berlin. As a partner organisation of the Times Museum in Guangdong, China, TAC focuses on the artistic relation between Asian and European contemporary art. For the first exhibition in their new space we were commissioned to design the visual identity of their latest exhibition Neither Black / Red / Yellow Nor Woman showing a diverse selection of female artists.

Services
Visual Identity
Magazine
Exhibition Design
Print Media
Social Media
Website
Coding

Background
Tarabya Cultural Academy is a residency program for artists from various disciplines. The aim is to make a contribution to intercultural exchange. The stay at Tarabya is intended to provide residents with inspiration and the opportunity to develop their work further. On the occasion of their 60th anniversary the Tarabya team organised a 30-day festival of exhibitions, art events, talks and discussions all over Germany for which we developed the visual identity. 
In order to represent the institution’s versatile approach we developed a set of graphic elements, letterings, abstract photo­graphs and illustrations which can be easily adapted and individually arranged on all types of media.

Services
Visual Identity
Web Design

Background
The first job we’ve ever been hired for in Berlin was designing the identity for an exhibition at Kunstraum Kreuzberg Bethanien – a truly historical place hosting thematic exhibitions on socio-cultural developments reprocessed by contemporary artists. Ever since, the art space has played an important role in our lives which is why designing their corporate design and website became a matter of the heart for us.

Services
Editorial Design

Background
No compromise. Daniel Rode is a conceptual artist who is particularly well-known for his large-scale works showing short claims without meaningful separations, his light installations and repetitive serial drawings. His art is uncompromising and strictly straight forward. ”Art asks questions and gives no answers, its intention must be open and maybe even unclear.“ When creating the concept for his monograph ”Again and Again“ we strictly followed his conceptual approach, defining very rigid typesetting rules which leave no room for design-related decisions and adjustments. The only way is strictly forward or to best describe it in Daniel Rode’s words: ”I want to move forward.“