Project category: Art
Berliner Festspiele
Bringing together 6 unique festivals and 2 exhibition houses under one cohesive visual identity.
ClientBerliner Festspiele
Year2018-2022
ServicesVisual Concept
Editing
Organisation
Editorial Design
BackgroundBerliner Festspiele is one of the largest cultural institutions in
Berlin. All year round, they host a multitude of festivals, exhibitions and individual events in two houses – the Haus der Berliner Festspiele and the Gropius Bau.
Our main focus when developing and refining their identity was to give individual freedom to each single festival / event while still maintaining the umbrella brand’s overall visual language.
Differentiation through typography, unification through grid
Within the Berliner Festspiele universe, each festival’s unique character is expressed through its own typeface, highlighting the distinct identity of each festival.
Over the course of five years, we’ve developed countless visual worlds – made up of analogue experiments, multifaceted digitally created designs as well as collaborations with artists from all around the world.
The New Infinity
The New Infinity opens the architecturally unique shape of the dome to visual artists, sound artists, film makers and game designers.
Client
Berliner Festspiele
Year
2018
Service
Publication
Background
The New Infinity examined the planetariums and full dome as places for art – as galleries of the future –inviting artists like David OReilly, Fatima Al Qadiri, Metahaven, Robert Lippok & Lucas Gutierrez and many more to experiment with the unusual shape. The planetary format started out in Kreuzberg Berlin, moved on to Hamburg and afterwards toured the world.
As part of our publication series for Immersion/Berliner Festspiele we designed the exhibition catalogue for the project.
Buy here
Berliner Festspiele
Dimensions
330×232mm
Print length
88 pages
Published by
Verlag Walther König
ISBN
9783960983903
Neither Black / Red / Yellow Nor Woman
Times Art Center asked us to create the visual identity for «Neither Black / Red / Yellow Nor Woman», a group exhibition showing an amazing selection of female artists.
Client
Times Art Center
Year
2019
Service
Visual Identity
Poster Series
Print Media
Background
Times Art Center is a non-profit art institution located in the center of Berlin. As a partner organisation of the Times Museum in Guangdong, China, TAC focuses on the artistic relation between Asian and European contemporary art. For the first exhibition in their new space we were commissioned to design the visual identity of their latest exhibition Neither Black / Red / Yellow Nor Woman showing a diverse selection of female artists.
Curated by
Nikita Yingqian Cai and Xiaoyu Weng
Participating Artists
Chang Wen-Hsuan, Dachal Choi, Chitra Ganesh, Jane Jin Kaisen, Iris Kensmil, Sylbee Kim, Mai Ling, Laura Huertas Millán, Sara Modiano, Mai-Thu Perret, Thao Nguyen Phan, Arin Rungjang, Shen Xin, Trinh T. Minh-ha, Evelyn Taocheng Wang, Wang Zhibo, Luka Yuanyuan Yang & Carlo Nasisse, Mia Yu
In 2019 Times Art Center Berlin moved to the building designed by the German architect Arno Brandlhuber. The new building also inspired us by using a straight minimalistic stacked grid and typography as well as the silver and grey concrete walls.
Inspired by the artwork «She the Question, Head on fire» by Chitra Ganesh we used bright neon colors to promote the show.
Tarabya
A set of visual elements communicating openness, flexibility, and cross-cultural interaction celebrating Tarabya Cultural Academy’s 10th anniversary.
Client
Kulturakademie Tarabya
Year
2021
Services
Visual Identity
Magazine
Exhibition Design
Print Media
Background
Tarabya Cultural Academy is a residency program for artists from various disciplines. The aim is to make a contribution to intercultural exchange. The stay at Tarabya is intended to provide residents with inspiration and the opportunity to develop their work further. On the occasion of their 60th anniversary the Tarabya team organised a 30-day festival of exhibitions, art events, talks and discussions all over Germany for which we developed the visual identity.
In order to represent the institution’s versatile approach we developed a set of graphic elements, letterings, abstract photographs and illustrations which can be easily adapted and individually arranged on all types of media.
Event Photography by
Stephanie Steinkopf
Victoria Tomaschko
Berlin
Istanbul
Tarabya Yearbook
Kunstraum Kreuzberg
Built as hospital Bethanien, served as headquarters for left-wing activists in the 70’s before, it was turned into a public space for the arts.
Client
Kunstraum Kreuzberg
Year
2019
Services
Visual Identity
Web Design
Background
The first job we’ve ever been hired for in Berlin was designing the identity for an exhibition at Kunstraum Kreuzberg Bethanien – a truly historical place hosting thematic exhibitions on socio-cultural developments reprocessed by contemporary artists. Ever since, the art space has played an important role in our lives which is why designing their corporate design and website became a matter of the heart for us.
Website
www.kunstraumkreuzberg.de
Coding by
Jens Buss
Daniel Rode:
Again and Again
Daniel Rode‘s art is as radical as the concept of his new book we designed together with him.
Client
Daniel Rode
Year
2022
Services
Editorial Design
Background
No compromise. Daniel Rode is a conceptual artist who is particularly well-known for his large-scale works showing short claims without meaningful separations, his light installations and repetitive serial drawings. His art is uncompromising and strictly straight forward. ”Art asks questions and gives no answers, its intention must be open and maybe even unclear.“ When creating the concept for his monograph ”Again and Again“ we strictly followed his conceptual approach, defining very rigid typesetting rules which leave no room for design-related decisions and adjustments. The only way is strictly forward or to best describe it in Daniel Rode’s words: ”I want to move forward.“
Text by
Susanne Altmann, Knut Hartwich, Annegret Klinker, Carsten Probst, Carolin Quermann
Dimensions
170×235mm
Print Length
176 pages
Published by
Hatje Cantz
ISBN
3775752269
The only way is strictly forward. This is how we set up the conceptual grid for the book. Widows become a must.
Faith Travels by Streetcar
How do members of religious and non-religious communities give visibility to their beliefs, and how are they perceived from the outside?
Client
Falschrum Books
Year
2022
Services
Book Design
Background
Religious and further normative practices structuring and regulating public and private life often involve objects of daily use. The exhibition “Faith travels by Streetcar” focuses on the rules, convictions and conventions of the monotheistic religions – Judaism, Islam and Christianity – as well as on secular beliefs through objects of daily use.
Referring to the general topic of the exhibition we developed a publication with a religious look and in the same time clean and straight layout showing the objects in a neutral and almost standardised way. Since the exhibition is about everyday objects, we have included a few “objects” (photographs) in the cover that can be individually selected or exchanged.
Edited by
Stefan Maneval
Contributors
Amro Ali, Schirin Amir-Moazami, Julian Bauch, Daniel Boyarin, Sarhan Dhouib, Patrick Ebert, Wietske de Jong-Kumru, Stefan Maneval, Nora Schmidt, Christoph Wiesinger
Dimensions
16,5 x 24 cm
Print Length
230
Published by
Falschrum Books
ISBN
9783982077970
Beside the hot foil embossed title the book also includes a pocket showcasing some “objects” on the cover.
While developing the visual concept we also did some research on religious books. What they all had in common was the color gold as well as a relatively handy size.
The gold was incorporated into the concept with a golden edge colouring and the book size was kept relatively small just like religious books.
Just like a religious book, our visual concept also includes a special finishing.
LOOM
Interweaving the Arts in
Europe
Interweaving art projects, artists, institutions and events our virtual carpet reflects and connects all information and activities on the art platform.
Client
Akademie der Künste Berlin
Year
2022
Services
Web Design
Background
LOOM – Interweaving the Arts in Europe is aiming to manifest artistic initiatives of the European Alliance of Academies – a transnational network that advocates for the freedom of the arts. The platform strengthens the network, its visibility and provides a basis for intensified transnational projects and artistic collaboration, creation and communication. For the website the main task was to create a visual concept that is experimental and reflects the creativity of the arts and in the same time is user-friendly, barrierefree and with a clear structure.
Coding by
Inhouse
Loom is a project of the Alliance of Academies and therefore also uses the same Corporate Design elements: logo, fonts and colors. For the LOOM Logo we created several variations. Following the topic of interweaving and networking the logo is always built and animated using a thing line / sewing thread.
Referring to the topic of interweaving we created a virtual carpet on the landing page that weaves all information and new activities within a never ending carpet. Through the carpet the user can explore all information on the website in an experimental way. Alternatively the main menu can be used to access all information. All informations are connected using tags and categories and can be filtered on every page at any time.
The art projects can be created by the artists themselves. With a maximum of freedom the artists can use individual layout modules, custom html, image, video and 3D, background settings, fonts and colors to create a unique art page.
Monira Al Qadiri:
Mutant Passages
‚Mutant Passages‘ comprises entirely new works by Monira Al Qadiri conceived for Kunsthaus Bregenz, exploring the subject of oil.
Client
Monira Al Qadiri
Year
2023
Services
Editorial Design
Background
On the occasion of the exhibition Mutant Passages, the first museum publication on the work of Monira Al Qadiri is now being issued. In addition to featuring documentation on her KUB exhibition and her newly created works, the catalogue also sheds light on numerous older projects by the artist, thus offering a comprehensive overview of her diverse oeuvre for the first time. In reflective colors, the large-scale hardcover book evokes the radiance of Al Qadiri’s expansive dazzling sculptures. Scholarly and literary texts by Jana Baumann, Shumon Basar, Amal Khalaf and Murtaza Vali offer new incisive perspectives into Al Qadiri’s work.
Published by
Thomas D. Trummer, Kunsthaus Bregenz
Editors
Shumon Basar, Amal Khalaf, Thomas D. Trummer, Murtaza Vali and Monira Al Qadiri
Pages
208
Dimensions
23 × 32cm
ISBN
3753304085
The shimmering purple cover is an analogy to the colors resembling shiny oil that Monira Al Qadiri uses in her works.
A clear layout with plenty of white space puts the works of Monira Al Qadiri in the spotlight.
The Sun Machine
Is Coming Down
What an honour to assemble our type and design in- and outside of one Berlin’s most iconic buildings – the ICC.
Client
Berliner Festspiele
Year
2021
Services
Visual Identity
Key Visual
Poster
Print Media
Social Media
3D Animation
Trailer
Exhibition Design
Signage
Wayfinding System
Background
After 2 years of Covid-19 pandemic people were desperate to meet and explore the real world. End of 2021 the Berliner Festspiele transformed the Congress Centre Berlin (ICC) into a space for encounters and a vessel to other worlds. The project invited visitors to freely explore the architectural icon, which was open for ten days, in interaction with performances, circus arts, music, films, and installations.
The long-discussed ICC was brought back to life and transformed into a space for the arts.
We visually reinvented the ICC by creating a 3D collage of its most significant elements.
Coating the spacecraft with type
Starting from outside we developed a typographic signage system which was to lead the audience through the exhibition.
Bodies, plants, sounds, discourses, and movement returned for 10 days to a spectacular space that was once state-of-the-art technology.
Our specifically developed signage lead the audience through the exhibition without interfering the existing way finding system from 1979.
«We scanned the skies with rainbow eyes and saw machines of every shape and size and Peter tried to climb aboard but the captain shook his head And away they soared»